Stephen Shore’s Most Comprehensive Exhibition

Stephen Shore. New York, New York. 1964. Gelatin silver print, 9 1/8 × 13 1/2″ (23.2 × 34.3 cm). Courtesy the artist. © 2017 Stephen Shore

Stephen Shore. New York, New York. 1964. Gelatin silver print, 9 1/8 × 13 1/2″ (23.2 × 34.3 cm). Courtesy the artist. © 2017 Stephen Shore

On the view from November 19th until May 28th at MoMA, the exhibition traces the artist’s work chronologically. 

Stephen Shore. Kanab, Utah, June 1972. 1972. Chromogenic color print, printed 2017, Chromogenic color print, 3 1/16 × 4 5/8″ (7.8 × 11.7 cm). Courtesy the artist. © 2017 Stephen Shore

Stephen Shore. Kanab, Utah, June 1972. 1972. Chromogenic color print, printed 2017, Chromogenic color print, 3 1/16 × 4 5/8″ (7.8 × 11.7 cm). Courtesy the artist. © 2017 Stephen Shore

The first New York survey of Shore’s work in 10 years, presents the audience a visual path of artist’s development from his days at Warhol's Factory, through the revolution of color photography and the transition to its new, digital dimension. The exhibition will include hundreds of photographic works and additional materials. 

Stephen Shore. Second Street, Ashland, Wisconsin, July 9, 1973. 1973. Chromogenic color print, printed 2017, 17 × 21 3/4″ (43.2 × 55.2 cm). Courtesy the artist. © 2017 Stephen Shore

Stephen Shore. Second Street, Ashland, Wisconsin, July 9, 1973. 1973. Chromogenic color print, printed 2017, 17 × 21 3/4″ (43.2 × 55.2 cm). Courtesy the artist. © 2017 Stephen Shore

从11月19日到5月28日在MoMA的展览中,以时间方式追溯了艺术家的作品。

Stephen Shore. West Third Street, Parkersburg, West Virginia, May 16, 1974. 1974. Chromogenic color print, 8 × 10 1/2″ (20.3 × 26.7 cm). Courtesy the artist. © 2017 Stephen Shore

Stephen Shore. West Third Street, Parkersburg, West Virginia, May 16, 1974. 1974. Chromogenic color print, 8 × 10 1/2″ (20.3 × 26.7 cm). Courtesy the artist. © 2017 Stephen Shore

这是《纽约时报》10年来第一次对肖恩作品的调查,从沃霍尔工厂(Warhol's Factory)时代开始,通过彩色摄影的革命,到它新数字维度的转变,给观众带来了一个艺术家发展的视觉路径。展览将包括数以百计的摄影作品和其他材料。

The Maker