Bruce Nauman’s Command of Mediums

Bruce Nauman. Human Nature/Life Death/Knows Doesn’t Know. 1983. Neon tubing with clear glass tubing suspension frames, 107 1/2 × 107 × 5 3/4″ (273.1 × 271.8 × 14.6 cm). Los Angeles County Museum of Art, Modern and Contemporary Art Council Fund. © 20… — Bruce Nauman. Human Nature/Life Death/Knows Doesn’t Know. 1983. Neon tubing with clear glass tubing suspension frames, 107 1/2 × 107 × 5 3/4″ (273.1 × 271.8 × 14.6 cm). Los Angeles County Museum of Art, Modern and Contemporary Art Council Fund. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo © Museum Associates/LACMA

MoMa and MoMA PS1 present the first comprehensive retrospective of American artist Bruce Nauman in over 20 years.

On view from October 21st through February 18th, 2019, Disappearing Acts traces withdrawal in across the artist’s career from the mid-1960s to the present. The exhibition, which opened in Schaulager in March, is traveling to New York to give the audience an opportunity to experience Nauman’s command of a wide range of mediums, showcasing his drawings, photography, sculpture, large-scale installations and other works.

Bruce Nauman. One Hundred Live and Die. 1984. Neon tubing with clear glass tubing on metal monolith, 118 × 132 1/4 × 21″ (299.7 × 335.9 × 53.3 cm). Collection of Benesse Holdings, Inc./Benesse House Museum, Naoshima. © 2018 Bruce Nauman/Artists Righ… — Bruce Nauman. One Hundred Live and Die. 1984. Neon tubing with clear glass tubing on metal monolith, 118 × 132 1/4 × 21″ (299.7 × 335.9 × 53.3 cm). Collection of Benesse Holdings, Inc./Benesse House Museum, Naoshima. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo: Dorothy Zeidman, courtesy the artist and Sperone Westwater, New York

MoMa和MoMa PS1展出了20多年来美国艺术家Bruce Nauman（布鲁斯·瑙曼）首次全面回顾展

2019年10月21日到2月18日，展览：Disappearing Acts展示了艺术家从60年代中期至今的整个职业生涯。该展览于3月在Schaulager（舒拉格现代美术馆）开幕，将前往纽约，观众将有机会体验Nauman对各种媒介的诠释，包括他的绘画、摄影、雕塑、大型装置和其他作品。

Bruce Nauman. Carousel (Stainless Steel Version). 1988. Stainless steel, cast aluminum, polyurethane foam, and electric motor, 72 × 241″ (182.9 × 612.1 cm). Glenstone Museum, Potomac, Maryland. © 2018 Bruce Nauman/Artists Rights Society (ARS), New Y… — Bruce Nauman. Carousel (Stainless Steel Version). 1988. Stainless steel, cast aluminum, polyurethane foam, and electric motor, 72 × 241″ (182.9 × 612.1 cm). Glenstone Museum, Potomac, Maryland. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy Courtesy Carnegie Museum of Art, Pittsburgh (photographer unknown)

Bruce Nauman. Contrapposto Studies, i through vii. 2015/16. Seven-channel video (color, sound, continuous duration), dimensions variable. The Museum of Modern Art, New York. Jointly owned by The Museum of Modern Art, New York, acquired in part throu… — Bruce Nauman. Contrapposto Studies, i through vii. 2015/16. Seven-channel video (color, sound, continuous duration), dimensions variable. The Museum of Modern Art, New York. Jointly owned by The Museum of Modern Art, New York, acquired in part through the generosity of Agnes Gund and Jo Carole and Ronald S. Lauder; and Emanuel Hoffmann Foundation, on permanent loan to Öffentliche Kunstsammlung Basel. © 2018 Bruce Nauman/Artists Rights Society (ARS), New York. Photo courtesy the artist and Sperone Westwater, New York