Giambattista Valli's Couture Collection
The Italian-born master sure does know how to wow his audience and a starry front row: he does it season in, season out. This time the talk about the collection is not limited to witty articles about Celine Dion, who attended the show and didn’t hold down her impressions and feelings about the show. Valli’s show kicked off with models wearing shades of white and cream in different lengths of hemline, gradually intensifying the color palette and silhouettes throughout the show.
The Valli girl has a lot to chose from for her high fashion outings: from baby-doll reminiscent dresses to floating floor-length gowns with layers of taffeta and chiffon, some of them reminding a delicacy deserts, no less.
Giambattista played with size, color and proportions, adding puffed princess-like sleeves to many of his creations. The designer also played up the recent red-carpet favorite look—sheer skirt with subtlety in best traditions of high fashion.
The color palette dominating the runway was reductive—white, black, pale blue and flashes of bold red. A floral princess on the way to her higher rein—the one theme that could encapsulate the fantastic show, Giambattista has once again presented.
The drama came later in the show, with Valli's signature tiered ruffles making an appearance. For his Fall 16 line the statement tulle ruffles were worked into a light blue cape and a floor sweeping gown, shown in grey, burgundy and white.
Fashion master Giambattista Valli played with size, proportion and dimension in a typically perfected couture display.
The Italian-born designer began with figurative versions of the Babydoll silhouette — the famed ’50s nightie style that flares out at the hip with puffy sleeves.
The first in a series of white gowns had creatively gathered — and purposefully off-kilter — segments in the sleeves that came across as abstract, yet feminine.
They soon merged into floor-length diaphanous silken gowns with Grecian-style gathered, or segmented, detail around the bust.
As ever, the color palette was reductive — with white, black, pale blue with flashes of bold red.
But it was handled with panache and subtlety.
It made some fashion critics wonder why he has not reportedly been touted for the Christian Dior top job.
这位出生在意大利的大师肯定知道如何让他的观众和前排明星惊叹:他在赛季中,赛季后。这一次有关的演说不限于有关Celine Dion的诙谐文章,Celine Dion参加了表演,没有按她的印象和感受的表现。Valli时装秀的序幕上,模特穿着不同长度的底边,白色或奶油色,轮廓颜色是渐变的。
Valli女孩们的高级时装有很多种选择,从复古娃娃裙到塔夫绸薄丝拖地礼服,他们与美味甜点比起来毫不逊色。
在Giambattista许多作品中,他改变大小,颜色和比例,加上公主蓬蓬袖。设计师也加入最近的红毯最时髦的造型子——垂直的裙子搭配传统高级时装。
主导秀场调色板的是白色,黑色,淡蓝色和耀眼大胆的红色。Giambattista再次强调,还有花仙子主题的更加精彩的表演。
该剧是在演出后,与他标志性的分层褶边亮相。他16年秋季薄纱褶边变成淡蓝色的斗篷和灰色红色白色相间的扫地长裙。
时装大师Giambattista Valli改变尺寸,经典的时装有着完美的比例和尺寸。
意大利出生的设计师最开始设计娃娃装,衣服袖子臀部处蓬开,即著名的50年代风格的睡衣。
系列白色长袍首次运用这样的创意—和故意的不对称设计—在袖子里的细分遇到了作为抽象的,又不失女人味。
很快,他们又设计了希腊风格的落地透明的丝质长袍时装,或分段,时装胸部有细节处理。
与以往一样,调色板是还原—白色,黑色,淡蓝色与耀眼大胆的红色。
但处理得浮华精妙。
这让时尚评论家不知道他为什么没有被评为迪奥高层职位。